Comments on: Indian Laurel https://www.wood-database.com/indian-laurel/ WOOD Tue, 21 Jan 2025 03:08:14 +0000 hourly 1 https://wordpress.org/?v=6.7.2 By: stephen rioux https://www.wood-database.com/indian-laurel/comment-page-1/#comment-24640 Tue, 21 Jan 2025 03:08:14 +0000 http://www.wood-database.com/?p=14951#comment-24640 I’ll have to look for a guitar with an Indian Laurel body, and compare it with an Indian Rosewood body. Brazilian Rosewood is an unfair comparison, as nothing can even come close. As a personal preference, I like Sapele best. It has the smoothest frequency response of all the tone woods.

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By: Anthony W. Hodges https://www.wood-database.com/indian-laurel/comment-page-1/#comment-19098 Wed, 08 Feb 2023 14:27:49 +0000 http://www.wood-database.com/?p=14951#comment-19098 For beginners, its good to remember the wood used in the box (back and sides) should be a very dense:wood to sustain, capture and reverberate within the box, simultaneously captured by the tone wood – the top, usually a much softer wood like spruce and cedar. The sound quality is a combination of box, bouncing the string vibrations back to and through the sound wood and the hole (or perforations). Cover the hole and you can feel and hear the tonal quality of the guitar, and that is directly related to the quality of materials used. Every element of the construction of the guitar, including its structural members, (engineering) contribute to tonal resonance and quality. Pluck the two E srtrings. Listen to tone and sustain of high and low notes. It’s most important when you purchase, have the shop set the strings height (action) for a beginner …how many aspiring players give up because they cannot comfortablly “fret” the one they bought? Sound quality – very important …. playability most important. You don’t have to throw tons of $$$ to do this. Just educate youself and stretch your budget to get the best combination of these factors for your money..

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By: Chris L https://www.wood-database.com/indian-laurel/comment-page-1/#comment-17713 Mon, 20 Jun 2022 10:05:30 +0000 http://www.wood-database.com/?p=14951#comment-17713 It is interesting to note that both Gibson and Fender are now using this wood as a substitute for rosewood for the fretboards on their budget Epiphone and Squier guitars. Gibson still use rosewood for their own brand guitars – with the exception of the odd few that have ebony fretboards, Fender’s higher end instruments still use rosewood but the low to middle ranges now use pau ferro.

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By: Pagra https://www.wood-database.com/indian-laurel/comment-page-1/#comment-16965 Sun, 13 Mar 2022 04:52:20 +0000 http://www.wood-database.com/?p=14951#comment-16965 In reply to BrianW.

Most guitars are made with laminates because they are cheaper to produce. My first guitar was a Gibson L model made with laminates. It was quite playable and I really enjoyed it. A few years later I picked up a 50s Martin D-28 with Brazilian Rosewood back and sides.
It was as though I had been living in a guitar desert. The tone was vastly superior to that Gibson .
I’ve owned and played a lot guitar since then and I have never played a guitar made with laminated wood that could hold a candle to a quality solid wood instrument.

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By: Pagra https://www.wood-database.com/indian-laurel/comment-page-1/#comment-16964 Sun, 13 Mar 2022 04:30:10 +0000 http://www.wood-database.com/?p=14951#comment-16964 I bought a limited production Larrivee guitar several years ago that was made with Indian Laurel. It was used in construction of the backs and sides. This guitar has extraordinary tonal qualities and is one the finest guitars I have ever owned. In fact I would say that Indian Laurel is comparable to Brazilian Rosewood in tonal quality.

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By: JUSTIN https://www.wood-database.com/indian-laurel/comment-page-1/#comment-11601 Thu, 17 Sep 2020 03:28:51 +0000 http://www.wood-database.com/?p=14951#comment-11601 In reply to BrianW.

The better ones sound good all around.

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By: Neal https://www.wood-database.com/indian-laurel/comment-page-1/#comment-10345 Sat, 02 May 2020 21:35:56 +0000 http://www.wood-database.com/?p=14951#comment-10345 In reply to BrianW.

Taylor does seem to well research their woods, and explains their wood choices a lot in their Wood and Steel high gloss magazine, which I think comes every three months or so if you are an owner signed up with them (they just started sending them to me when I registered the guitar on their website). I bought a new turn of the century, maybe 2001 or so, Taylor 514CE. It’s pretty warm sounding with the solid red cedar top and solid sapelle sides and backs (some kind of African mahogany they utilize), but still has plenty of clarity. It’s pretty much popular with finger-pick stylists and singer-songwriters. I read years ago that Suzanne Vega had three of those. Two for concerts (one as a backup), and one at home in her music studio. I did not know that when I bought mine, but it was kind of cool trivia.

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By: MF https://www.wood-database.com/indian-laurel/comment-page-1/#comment-8574 Tue, 15 Oct 2019 06:38:01 +0000 http://www.wood-database.com/?p=14951#comment-8574 Is it the same wood they call Taukkyan in Myanmar?

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By: BrianW https://www.wood-database.com/indian-laurel/comment-page-1/#comment-6604 Thu, 15 Nov 2018 17:01:35 +0000 http://www.wood-database.com/?p=14951#comment-6604 In reply to DaveO.

Most of the sound of an acoustic guitar comes from the top, not the back and sides. That’s why most acoustics are made with cheaper woods or are laminated. I have a Taylor Big Baby which is at their low end. It has a laminated back and sides, yet it sounds great, too. The important part is having a solid top. Of course, if it’s made by Taylor, it doesn’t matter what wood they use. It’s going to sound great.

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By: Bahtiar Zulham https://www.wood-database.com/indian-laurel/comment-page-1/#comment-6015 Fri, 17 Aug 2018 06:05:31 +0000 http://www.wood-database.com/?p=14951#comment-6015 Is it same species with Terminalia Catappa (Indian Almond) ?
If its different with Catappa, would you please to add Catappa wood identification.
Thankyou

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